Bibliography

BOOKS:

• Womens Hats, Headdresses and Hairstyles by Georgine De Courtais, published by Dover 2006; and B.T. Batford, Ltd, London 1986
• Gothic Architecture, Paul Frankle, Paul Crossley, First published 1962 by Penguin Books, Ltd, revised version by Yale University Press, 2000
• Gothic Architecture: 158 Plates from the Brandons' Treatise, 1847, by Raphael& J.Arthur Brandon, published by Dover publications
• Gothic Literature, Andrew Smith, 2007, Edinburgh University Press
• Demon of the Body& Mind Essays on Disability in Gothic Literature, Ruth Bienstock Anolik, 2010, McFarland& Co, Inc
• The Gothic Other:Racial& Social Construction in the literary Imagination, Ruth Bienstock Anolik, Douglas C Howard, 2004,  McFarland& Co, Inc
• Encyclopedia of Gothic Literature: The essential Guide to the lives and works of Gothic writers, Mary Ellen Snodpass, 2005, Facts on File Inc
• 21st Century Gothic, Daniel Olson, 2011, Scarecrow Press, Inc
• Gothic Literature 1825-1914, Jarlath Killeen, 2009, University of Wales Press
• The Victorian Gothic: An Edinburgh Companion, Andrew Smith, William Hughes, 2012, Oxford University Press
• In Darkest London: The Gothic Cityscape in Victorian literature, Jamieson Ridenhour,2013,Scarecrow Press, Inc
• Historical Dictionary of Gothic Literature, William Hughes, 2013 Scarecrow Press, Inc
• Horrifying Sex, Ruth Bienstock Anolik,2007,  McFarland& Co, Inc
• Contemporary Gothic, Catherine Spooner, 2006, Reaktion Books Ltd
• Gothic Terms of Feminine Fictions, Susanne Becker, 1999, Manchester University Press
• Gothic, David Day, Alan Lee, 1986, General Publication Co, Ltd
• Around Portsmouth in the Victorian Era, James Dolph Ronan Donohoe, 1997, Arcadia Publishing
• Class, Culture and Suburban Anxieties in Victorian Era, Lara Baker Whelan, 2010, Routledge
• Historical Wig Styling: Victorian to Present, Allison Lowery, 2013, Focal Press
• Encyclopedia of Hair; A Cultural History, Victoria Sherrow, 2006, Greenwood Press
• How to be Victorian, Ruth Goodman, 2013, Penguin UK
• Makeup Artistry, Julia Conway, 2004 Heinemann Education Publisher
• Hair Growth and Disorder, Ulrike Blume-Peytani, Antonella Tosti, David A.Whiting, Ralph Triest, 2008, Springer Verlag Berlin-Heidelberg
• Great Expectations, Charles Dickens, 1861, Chapman and Hall
• Authentic Victorian Fashion Patterns: A complete Lady's Wardrobe, Kristina Harris, 1999, Dover Publications, Inc
• Full Color Victorian Fashions, 1870-1893, Joanne Olian, 1999, Courier Corporation
• Victorian and Edwardian Fashion: A Photographic Survey, Allison Gernsheim, 1963,1981, Dover Publications, Inc
• Victorians Fashions and Costumes from Haper's Bazar, 1867-1898, Stella Blum, 1974, Dover Publications, Inc
• Victorian Fashion Accessories, 1998, Dover Publications, Inc
• Victorian and Edwardian Fashions from "La Mode Illustrée", Joanne Olian, 1998, Dover Publications, Inc
• Compacts and Cosmetics. Beauty from Victorian times to the present day, Madeleine Marsh, 2009 , REMEMBER WHEN( Pen and Sword Books Ltd)
• Victorian Literature and the Anorexic Body, 2002, Cambridge University Press
• Beautiful For Ever, Madame Rachel of Bond Street- Cosmetician, Con-artist and Blackmailer, Helen Rappaport, 2012, Vintage
• Moulding the Female Body In Victorian Fairy Tales and Sensation Novels, Dr. Laurence Talairach- Vielmas, 2007, Ashgate Publisher Limited
• A trip into the Supernatural, Roger J. Morneau, 1993, Review and Herald Publishing Association 
• The Supernatural Book of Monsters, Spirits, Demons and Ghouls, Alex Irvine, 2009, Harper Collins
• Supernatural: John Winchester's Journal, Alex Irvine, 2009, Harper Collins
• Supernatural. Writings on an Unknown History, Richard Smoley, 2013, Penguin Group 
• The Victorian Supernatural, Nicola Brown, Carolyn Burdett, 2004, Cambridge University Press
• The Supernatural in Gothic Fiction: Horror, Belief and Literary Change, Robert F. Geary, 1992, The Edwin Mellen Press Ltd
• The Agoraphobia Workbook: A Comprehensive Program To End Your Fear Of Symptom Attacks , C. Alex Pollard, Elke Zuercher-White,2003,  New Harbinger Publications
• Korean Mask Dance ,Volume10, Cho Tong Il, 2005, Ewha Womans University Press
• Korean Dance, Kim Malborg, 2005, Ewha Womans University Press
• Things Korean, Lee Young-O, 2013, Tuttle Publishing
• Dancing Cultures: Globalization. Tourism and Identity of the Anthropology of Dance, Helene Neveu Kringelbach, Jinathan Skinner, 2012, Berghahn Books
• Encyclopedia of  Koreans Seasonal Customs: Encyclopedia of Korean Folklore and Traditional Culture Vol1, The National Folk Museum of South Korea, 2014, 길잡이미디어
• The Victorians, A.N. Wilson, 2002, Hutchinson
• K-Fashion, Wearing a New Future, Korean Culture and Information Service, 2012, Korean Culture and Information Service, Ministry of Culture,Sports and Tourism
• Seoul Book of Everything, 2010, Maclntyre Purcell Publishing Inc
• Facts About Korea, 2015 Edition, Korean Culture and Information Service, Ministry of Culture,Sports and Tourism

WEBSITES:
http://www.exploring-castles.com/characteristics_of_gothic_architecture_2.html
http://study.com/academy/lesson/gothic-art-and-architecture.html
http://www.vam.ac.uk/content/articles/g/gothic-architecture/
http://en.wikipedia.org/wiki/Category:Gothic_Revival_architecture_in_London
http://www.bbc.co.uk/faqs/bbchd_channels
https://us.kryolan.com/product-lines/high-definition
http://www.today.com/id/24581670/ns/today-entertainment/t/hd-unforgiving-actors-makeup-artists/
http://www.smashbox.co.uk/
http://www.telegraph.co.uk/culture/culturepicturegalleries/8907506/Gillian-Anderson-Helena-Bonham-Carter-and-Miss-Havisham-on-film.html?image=12
http://www.thetimes.co.uk/tto/arts/stage/theatre/article3681294.ece
http://www.imdb.com/
http://h2g2.com/approved_entry/A2451683
http://writeworld.org/post/50340132890/true-forensics-drowning-mechanical-asphyxia
http://www.mitchpileggi.net/Deep_Background/resources/forensics/bodies.htm
http://www.forensicmed.co.uk/pathology/bodies-recovered-from-water/
http://www.anxietycare.org.uk/docs/agoraphobia.asp
http://en.wikipedia.org/wiki/Flower_Boys_Next_Door
https://cross-currents.berkeley.edu/sites/default/files/e-journal/photo-essays/saeji.pdf, Cedar Bough Saeji, Cross-Currents, East Asian History and Culture Review
http://www.maskdance.com/coding/main.asp



DOCUMENTARIES/VIDEOS:
https://www.youtube.com/watch?v=vxejwk1Kkvg, (Gothic subculture documentary, An inside look for outsiders)
https://www.youtube.com/watch?v=yNywS23SX0U, (National geographic supernatural werewolves and vampires )
https://www.youtube.com/watch?v=gNohDegnaOQ (The Gothic, The British library )
https://www.youtube.com/watch?v=2RZxsgDNSXQ (The History of Horror)
https://www.youtube.com/watch?v=1HbrQBExxvw (A History of Horror, Hammer films and British Horror)
https://www.youtube.com/watch?v=OcAfzK4YPSI( The Psychology of Scary Movies)
https://vine.co/v/OIUDuLP9wi7 (Goths)
https://www.youtube.com/watch?v=ATTbHvI-pVU(2013, MultiplicityAndMe(was involved in this BBC3 documentary))
https://www.youtube.com/watch?v=4R1Ck_9YvD0,( Blurry Beating, A short film about agoraphobia, written and directed by Stephane Payne, 2010)
https://www.youtube.com/watch?v=2VdQP-qscYc (History of Angels)
https://www.youtube.com/watch?v=79onWInRCOU (Book of Enoch, The book for the final generation)
https://www.youtube.com/watch?v=p6j2K9tOBXQ ( The Nephilim)
http://www.drama.net/flower-boy-next-door/

MUSIC:

Claudia and Quentin project evaluation

I found the Claudia and Quentin project very interesting. I especially liked that we had so much freedom with the project, compared to the ‘What the Dickens…’ project. But having so much freedom also brings some struggles, like having too many different ideas that you don’t know which design you should use as your final design. Because I quite liked all my designs, it was very hard for me to choose and I practiced several designs to see which looked the best on camera. One thing I didn't really like was that we were only allowed to choose a TV series from the list that we were given. It was good to have a list but the first thing is that I didn't know most of the series that were on the list which is a disadvantage because I definitely did not have the time to watch them all to see if I want to base my characters on this TV series and the second thing was that the TV series I already had in mind for inspiration, and I actually already made designs with the series in my head, was not on that list. In the end I was allowed to use it but I would have liked if we had a broader choice in choosing our TV series. Otherwise I had no problems with the designing process. I actually planned on shooting my characters during the Easter break when  I was back home in Germany because I wanted to use my sister and her boyfriend as my models but at that time I didn't know that we had to shoot at least one character in the studio. But in the end that was okay because the pictures I took with my sister didn't turn out the way I wanted them anyway. It was still good for practice reasons and also helped me with the choice of my final design.